Hey Ain’t it Coolies, Optimous Douche here in a not-so-exclusive, but damn right insightful chat with the South American comic luminaries Fabio Moon and Gabriel Ba. I recently had the opportunity to read their soul saturated ode to life DAYTRIPPER, and took this opportunity to unsnap their skullcaps and dig a little deeper into what makes them tick. Afterwards check out my review of the book, but first here’s what Mr. Moon and Mr. Ba had to say.
OPTIMOUS OUCHE (OD): DAYTRIPPER is a story about life’s defining moments; first love, lost love, the finding of self and our ultimate inexorable end. Was there an impetus or defining event that sparked you to create DAYTRIPPER?
GABRIEL BA (GB): The idea first struck me one night in the shower when I realized that a lost bullet could cross my window and kill me out of the blue…no explanation or reason…just like that. What would my life be up until that point? What does death mean in our lives? Then I figured we could tell a story of this guy who dies over and over, in different ways. But this idea hibernated just like that for years until Bob Schreck asked us to pitch him ideas for a series at Vertigo. All the depth of the story, all the characters, all the chapters were developed only after we got the series approved.
OD: It’s interesting the story started with the idea of death and during such a mundane activity. For me, DAYTRIPPER was an affirmation of life, the moments that define a man, with death being an excruciating exclamation point at the end of each chapter. We see the main character Brás have his first kiss, meet the love of his life, lose his Father, the birth of his child…when you were pulling the chapters together how did you guys decide what moments of Brás life you would bring to the page?
FABIO MOON (FM): I think death makes us think about life, so ultimately we wanted to tell a story about one man's life. In the same way that you don't remember your entire life when you're thinking about it, we knew we would only show moments we felt would help tell this story, moments where there's a discovery, a learning experience, when something is acquired or lost (sometimes both).
OD: And what about the deaths? Sometimes Brás dies from natural causes and then some very not-so-natural causes, was it a simply a grab bag or was there a master plan?
FM: It's very strange trying to figure out which kind of death makes sense, and yet every death in the story also helps to tell the story. We just tried to come up with different deaths without forcing them to the reader.
GB: Ours is not a violent story and Brás is a regular guy, so we couldn't have him murdered in several different ways. We tried to choose deaths that could really happen to anyone, that we've seen happening.
OD: The book has a definite “unstuck from time” narrative approach. In chapter one Brás is in his early-thirties, and then we jump back to his early twenties, and then forward to his late twenties, until finally, he reaches old age. Was there ever an iteration that told Brás' life in a linear fashion? Even if the answer is no, what made you to decide on this approach from the outset?
FM: In a story told in chapters, one of the main goals is to keep the readers guessing what comes next, and by jumping back and forward in Brás' life we created a mystery in every new step of our tale.
OD: The jumping felt far from random though, it seemed an opening and closing of each relationship in Brás life. Is that a fair statement? If not, please feel free to correct me.
FM: I like to think that memory connects facts in a way that makes sense, but rarely it's chronological. We tried to jump from one chapter to the next trying to find this feeling of comfort we find when we remember something that happened to you a long time ago.
GB: In every chapter, there's a mention to the previous or the next, sometimes very subtle. We just followed this lead, putting the right piece of the puzzle there when the moment called for it.
OD: Was it always your plan for Brás to be an obituary writer, while he tried to find his muse?
FM: Some obituaries are written to make people focus on the deceased's life instead of their death. Death isn't the most important moment of your life, no matter what age you die and obituaries help us to remember that. As soon as we figured that out, we knew what Brás' dead-end job would be.
OD: Did you guys have any dead-end jobs before making it into comics? Please, share…
FM: I don't think we had, really. We worked a lot as illustrators for magazines, newspapers, storyboards for advertising, but always as freelancers, and always certain about our desire and commitment to comics.
GB: As teenagers, we already knew we wanted to work on comics telling stories. While we were figuring out how to do that and what stories we had to tell, we got into college majoring in Fine Arts. We worked on some things art-related like high school arts teacher, guide on museums and a lot of illustration, especially after we graduated. Nothing that far from comics, from drawing. But none of these jobs satisfied us, they just paid the bills and they were great to meet people.
OD: So, which one of you is Brás, or is he a combination of both your personalities?
FM: He's neither and he's both. He's that friend we want to spend time with, the one we want to introduce to our sister. He's our hope in men, with all qualities and flaws included.
GB: I think he has a lot of us in him, on his attitudes, his character. We are telling a story of principles and beliefs, our beliefs mainly. Ones that we hope more people would relate to or that will make them pause and think about their lives. It's like a bar table conversation about life, and Brás is speaking for us.
OD: How does the process of working with your sibling differ from your other creations, is there an inherent genetic synchronicity?
FM: There's a lifetime of differences. We know each other and each other's taste so well that our communication is so fast it sometimes happens only in an exchange of looks.
GB: We know how far we can go when we're working together, how far we can push. We know for sure both of us will give their best and that we have the story as priority one. We learn a lot working with other artists and writers and we always come back stronger to our own stories.
OD: Is there any way I can get you guys to dish on upcoming projects?
FM: My crystal ball is broken today, so I'm still uncertain about the future. I'll do more CASANOVA once Bá and Matt finish the third arc, but I'm still figuring what I might want to do before that happens.
GB: CASANOVA part 3: Avaritia! Four issues that I've just started on, so it will take me some time to finish. We hope we have new ideas to work on after we're done with this.
OD: Thanks guys. DAYTRIPPER is out now in TPB, and I defy you to find a better affirmation of life and reflection on the human soul for under $20.00.
.
