Nachokoolaid wrote:Why can't it just be a cool movie without current politics being brought up?
Thermopylae was thousands of years ago, and the novel was written decades ago, and yet, there's always those who feel they have to put a modern political spin on everything.
Sometimes a cigar is just a cigar, no?
Nachokoolaid wrote:Why can't it just be a cool movie without current politics being brought up?
Nachokoolaid wrote:Why can't it just be a cool movie without current politics being brought up?
Thermopylae was thousands of years ago, and the novel was written decades ago, and yet, there's always those who feel they have to put a modern political spin on everything.
Sometimes a cigar is just a cigar, no?
The interesting question is how "entertainment" has come to be accepted as a valid, irreducible argument against interpretation; how, in a broader sense, the act of putting things in context has come to be seen as inherently suspect.
But as silly as it is to scour a movie like this one for allegory, insisting that it be viewed in a political and cultural vacuum is not exactly aboveboard, either. Denying that anything means anything beyond its strictest parameters is not only dishonest, it's discouraging...
Keepcoolbutcare wrote:article is a bit wonky and its conclusions are a bit of a stretch, but the point remains.
do movies not reflect their respective zeitgeist? Films aren't created in a vacuum; for example, why NOW, of all times, to tell this particular story (and that question goes to Miller as well)?
DinoDeLaurentiis wrote:Keepcoolbutca re wrote:article is a bit wonky and its conclusions are a bit of a stretch, but the point remains.
do movies not reflect their respective zeitgeist? Films aren't created in a vacuum; for example, why NOW, of all times, to tell this particular story (and that question goes to Miller as well)?
Anna you gotta the Star Wars: Revenge of a the Sith as a the perfect example of a this, no? With a the very birth of a the Empire rivaling a the Bush Administration quest for a the power...
Nachokoolaid wrote:DinoDeLaurentiis wrote:Keepcoolbutca re wrote:article is a bit wonky and its conclusions are a bit of a stretch, but the point remains.
do movies not reflect their respective zeitgeist? Films aren't created in a vacuum; for example, why NOW, of all times, to tell this particular story (and that question goes to Miller as well)?
Anna you gotta the Star Wars: Revenge of a the Sith as a the perfect example of a this, no? With a the very birth of a the Empire rivaling a the Bush Administration quest for a the power...
And I agree with this to an extent. But not with 300. The events it was based on happened long ago and even the director said that no current political isues were thought of while making this. He said (paraphrase) "sometimes a movie is just about one group of guys beating the crap out of another group of guys. Enjoy it."
It's just that they tried to follow Miller's text so slavishly that there wasn't anything added. I see everyone's point, but in 300's case, I just don't agree. It's a good time. That's it. For those with their panties in a bunch, I say to them "Chill the fuck out and have a beer."
PervOmatic wrote:Nachokoolaid wrote:Why can't it just be a cool movie without current politics being brought up?
Because I'm aware of the current conditions in the world and I can make the connections to relevancy no matter if it is intended or not. At the end of the film I turned to my g/f and said, "Well, that's what happens when you send the troops out without the proper body armor, but you know what they say...you go to war with the army you have, not the army you want."
Lady Sheridan wrote: It's kind of cute, really. When watching Two Towers, were you one of the ones who saw Bin Laden in Saruman?
Lady Sheridan wrote: When watching Two Towers, were you one of the ones who saw Bin Laden in Saruman?
Lady Sheridan wrote:
I guess its relevant in the sense that Sparta didn't send enough troops, but still...talk about reaching. It's kind of cute, really. When watching Two Towers, were you one of the ones who saw Bin Laden in Saruman?
The Vicar wrote:Naw, Rumsfeld was Saruman.
Cheney was Sauron.
Bush was Gollum.
I haven't seen it yet because I was banned from my cineplex.
We had all lined up in front of the theater for about 30 minutes, and then they brought us in. I had to stand right beside these two studly, horse-faced lesbians eating each others tongues like they were making a political statement or something.
So, like 30 minutes later, we end up shuffling in the theater and these farking bitches start bitching about having to wait when the movie is about to start, mind you, it was 11 and it was a midnight showing. It turns out they were going to see that stupid Jim Carrey movie 23 and they were missing it. So, the ugliest of the two bitches just exclaims like no one's there "This is the wrong farking movie!"
I just had to do what I did next.
I shouted at the top of my lungs "This is SPARTA" and kicked her in the chest, causing her to fall down about 8 steps to the floor. Most were shocked, but about 80% of the theater started to cheer, and I was forcibly thrown out by 2 officers. Charges are going to be pressed against me apparently, but it was worth it.
burlivesleftnut wrote:That's pretty brilliant. The Stewart stuff anyway.
tapehead wrote:colonel_lugz wrote:Anyways, I better go, got to tear down my mums red curtains in her living room and work on my six-pack.
8/10
so your gf liked it? seeing 300 in a couple of days when it opens here.
Fried Gold wrote:A lot of the film is taken shot for shot, word for word from the comic. In fact, I'm surprised Frank Miller only gets an "inspired by" credit as a fair wedge of the film is pretty much his. (Fair play to Robert Rodriguez for acknowledging this with Sin City).
The portion of the film which is directly lifted from the page is very good. At times glorious, exciting, stirring, powerful.
However, the film flip-flops an awful lot between such this and what seemed to me to be some unneccessarily tacked on love story and poorly handled political threads. I felt both of these things cheapened the concept behind the Spartan's stand and the ultimate premise of Leonidas' sacrifice and SPELT THINGS OUT FOR THE AUDIENCE THAT DIDN'T NEED TO BE - "our love needs no words.....so here's a necklace....and I'll keep worrying about you....and keep saying I love you....get all sad about something which I've already said is duty.......but no words." Leonidas' son is going to end up being a crap Spartan with that mother.
And then there was the Captain & his son who kept forgetting about their ideology, as well as most of society back in Sparta, bar the Ethors who we know to be corrupt but we need an extra character to drive it home and be all slimy.
The battle scenes are very stylish, quite beautiful and awe inspiring. The CGI blood very far too over the top a lot of the time and looked very cheap. Which leads me on to an issue with slow motion. Snyder's obsession for it made the film half an hour longer.
Some other erroneous points:
- Who thought up the Dutch drag queen interpretation of King Xerxes? I've never took the character to be like that....a God-King acting like a vogueing music video extra. The weird guy with fins for hands? The big giant-ish guy? Where did they come from.....an inevitable Lord of the Rings comparison comes in here.
I think the basic overall idea I've got in my mind is that if I wanted to see something identical to Frank Miller's 300 I would read it. With the scope available to the director, he could have adapted the story of the 300 spartans in his own way. It all looks very nice, but a what is a powerful story came across as fairly vacant. I think the trailer's gave me optimism for the upcoming film version of Watchmen. The actual film has shaken that.
Al_Shut wrote:If I may give advice you should go to the gym before you start punching random people. You either need to knock em out or run real fast.
colonel_lugz wrote:tapehead wrote:[quote ="colonel_lugz"]
Anyways, I better go, got to tear down my mums red curtains in her living room and work on my six-pack.
8/10
so your gf liked it? seeing 300 in a couple of days when it opens here.
Pacino86845 wrote:Fried Gold wrote:A lot of the film is taken shot for shot, word for word from the comic. In fact, I'm surprised Frank Miller only gets an "inspired by" credit as a fair wedge of the film is pretty much his. (Fair play to Robert Rodriguez for acknowledging this with Sin City).
The portion of the film which is directly lifted from the page is very good. At times glorious, exciting, stirring, powerful.
However, the film flip-flops an awful lot between such this and what seemed to me to be some unneccessarily tacked on love story and poorly handled political threads. I felt both of these things cheapened the concept behind the Spartan's stand and the ultimate premise of Leonidas' sacrifice and SPELT THINGS OUT FOR THE AUDIENCE THAT DIDN'T NEED TO BE - "our love needs no words.....so here's a necklace....and I'll keep worrying about you....and keep saying I love you....get all sad about something which I've already said is duty.......but no words." Leonidas' son is going to end up being a crap Spartan with that mother.
And then there was the Captain & his son who kept forgetting about their ideology, as well as most of society back in Sparta, bar the Ethors who we know to be corrupt but we need an extra character to drive it home and be all slimy.
The battle scenes are very stylish, quite beautiful and awe inspiring. The CGI blood very far too over the top a lot of the time and looked very cheap. Which leads me on to an issue with slow motion. Snyder's obsession for it made the film half an hour longer.
Some other erroneous points:
- Who thought up the Dutch drag queen interpretation of King Xerxes? I've never took the character to be like that....a God-King acting like a vogueing music video extra. The weird guy with fins for hands? The big giant-ish guy? Where did they come from.....an inevitable Lord of the Rings comparison comes in here.
I think the basic overall idea I've got in my mind is that if I wanted to see something identical to Frank Miller's 300 I would read it. With the scope available to the director, he could have adapted the story of the 300 spartans in his own way. It all looks very nice, but a what is a powerful story came across as fairly vacant. I think the trailer's gave me optimism for the upcoming film version of Watchmen. The actual film has shaken that.
This review more or less covers what I felt about 300, but where I'm guessing FG felt "meh" about the film, I actually disliked it.
To begin with the positive aspects (and there are only a couple IMO):
-Gerard Butler as Leonidas. He was able to portray the intensity and brutality of the King despite some fairly hokey dialogue. Every other actor in the film was a complete and utter let down, for me.
-The design. I won't say cinematography, as there were some really strangely framed shots, but the overall visual aspects (the color palette and Leonidas's look in particular) were very faithful to the comic, to the film's advantage.
Otherwise the film is rife with hokey dialogue, the weird father-son relationship, the Persian freakshow, the awkward politics back in Sparta... everything came across as so by-the-numbers generic and also uneven, that I simply went beyond not caring to groaning during several scenes (the "rape" of the queen, Spartans' strange grunting sounds, the grunting sounds the politicians made). The entire film was very nicely stylized in some areas, but overall the whole experience felt cheap and fake, save Leonidas.
And the fast-forward-slow-motion fights appear to have been done in order to mask the choreography, or lack thereof. This in particular completely removed any "cool" effects the battles may have had.
4/10 - fairly unimpressive, disappointing, but still could've been worse
Doc Holliday wrote:Pacino86845 wrote:Fried Gold wrote:A lot of the film is taken shot for shot, word for word from the comic. In fact, I'm surprised Frank Miller only gets an "inspired by" credit as a fair wedge of the film is pretty much his. (Fair play to Robert Rodriguez for acknowledging this with Sin City).
The portion of the film which is directly lifted from the page is very good. At times glorious, exciting, stirring, powerful.
However, the film flip-flops an awful lot between such this and what seemed to me to be some unneccessarily tacked on love story and poorly handled political threads. I felt both of these things cheapened the concept behind the Spartan's stand and the ultimate premise of Leonidas' sacrifice and SPELT THINGS OUT FOR THE AUDIENCE THAT DIDN'T NEED TO BE - "our love needs no words.....so here's a necklace....and I'll keep worrying about you....and keep saying I love you....get all sad about something which I've already said is duty.......but no words." Leonidas' son is going to end up being a crap Spartan with that mother.
And then there was the Captain & his son who kept forgetting about their ideology, as well as most of society back in Sparta, bar the Ethors who we know to be corrupt but we need an extra character to drive it home and be all slimy.
The battle scenes are very stylish, quite beautiful and awe inspiring. The CGI blood very far too over the top a lot of the time and looked very cheap. Which leads me on to an issue with slow motion. Snyder's obsession for it made the film half an hour longer.
Some other erroneous points:
- Who thought up the Dutch drag queen interpretation of King Xerxes? I've never took the character to be like that....a God-King acting like a vogueing music video extra. The weird guy with fins for hands? The big giant-ish guy? Where did they come from.....an inevitable Lord of the Rings comparison comes in here.
I think the basic overall idea I've got in my mind is that if I wanted to see something identical to Frank Miller's 300 I would read it. With the scope available to the director, he could have adapted the story of the 300 spartans in his own way. It all looks very nice, but a what is a powerful story came across as fairly vacant. I think the trailer's gave me optimism for the upcoming film version of Watchmen. The actual film has shaken that.
This review more or less covers what I felt about 300, but where I'm guessing FG felt "meh" about the film, I actually disliked it.
To begin with the positive aspects (and there are only a couple IMO):
-Gerard Butler as Leonidas. He was able to portray the intensity and brutality of the King despite some fairly hokey dialogue. Every other actor in the film was a complete and utter let down, for me.
-The design. I won't say cinematography, as there were some really strangely framed shots, but the overall visual aspects (the color palette and Leonidas's look in particular) were very faithful to the comic, to the film's advantage.
Otherwise the film is rife with hokey dialogue, the weird father-son relationship, the Persian freakshow, the awkward politics back in Sparta... everything came across as so by-the-numbers generic and also uneven, that I simply went beyond not caring to groaning during several scenes (the "rape" of the queen, Spartans' strange grunting sounds, the grunting sounds the politicians made). The entire film was very nicely stylized in some areas, but overall the whole experience felt cheap and fake, save Leonidas.
And the fast-forward-slow-motion fights appear to have been done in order to mask the choreography, or lack thereof. This in particular completely removed any "cool" effects the battles may have had.
4/10 - fairly unimpressive, disappointing, but still could've been worse
*Entire Senate Rises To Its Feet, Brandishing Above Review*
TRAITOR! TRAITOR! TRAITOR!
What do you mean "Thats the kind of cliche I'm talking about?"
Doc Holliday wrote:Pacino86845 wrote: 4/10 - fairly unimpressive, disappointing, but still could've been worse
*Entire Senate Rises To Its Feet, Brandishing Above Reviews*
TRAITOR! TRAITOR! TRAITOR!
What do you mean "Thats exactly the kind of cliche I'm talking about?"
The Vicar wrote:colonel_lugz wrote:She wasn't too keen on it actually, but she did say, and I quote; "Don't get me wrong, I would DO THEM ALL.......Right there.....on the mountain"
[/inadequate]
Fuck, that's harsh......
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