burlivesleftnut wrote:Why, in this age of digital music, am I still seeing a 15 minute bonus song track at the end of an album with two songs separated 5 minutes of silence?
Why are so many bands doing "INTO" or "OUTRO" tracks? Don't they know these just lost and ignored on most people's playlists? Why not just have them as part of the first song, or last song as it were?
What other habits of recording-tards bother or confound you?
burlivesleftnut wrote:Why, in this age of digital music, am I still seeing a 15 minute bonus song track at the end of an album with two songs separated 5 minutes of silence?
TheBaxter wrote:why do they still insist on putting those stupid stickers on the tops of CD cases that take 10 minutes of peeling with your fingernails to get them off and be able to open the case?
Keepcoolbutcare wrote:burlivesleftnu t wrote:Why, in this age of digital music, am I still seeing a 15 minute bonus song track at the end of an album with two songs separated 5 minutes of silence?
thankfully, I don't think bands are doing what Cracker did on that album that had "Low" and Tool did on their debut full length, which was to have something like 80filler tracks, all under 5seconds, before you could get to the lastiest last last song on the album.
i had forgotten both those albums had done that, so after I uploaded the discs to my computer I was stumped as to why I had 99 Cracker songs on my itunes...
Keepcoolbutcare wrote: I was stumped as to why I had 99 Cracker songs on my itunes...
havocSchultz wrote:Keepcoolbutcare wrote: I was stumped as to why I had 99 Cracker songs on my itunes...
That's about 98 too many...
Keepcoolbutcare wrote:havocSchultz wrote:Keepcoolbutcare wrote: I was stumped as to why I had 99 Cracker songs on my itunes...
That's about 98 too many...
that was actually a pretty good album.
certainly a departure from the genre bursting brilliance of Camper Van Beethoven, but a solid alterna-rock-grunge album regardless.
Keepcoolbutcare wrote:havocSchultz wrote:Keepcoolbutcare wrote: I was stumped as to why I had 99 Cracker songs on my itunes...
That's about 98 too many...
that was actually a pretty good album.
certainly a departure from the genre bursting brilliance of Camper Van Beethoven, but a solid alterna-rock-grunge album regardless.
Zarles wrote:Ringtones. I hate them. My distastes for them might lie with the people that insist upon having some 4-second snippet of a song that blares at top fucking volume every time their phone rings, but still - I hate them. HATE. Remember when phones just rang?
Fuckin' teenagers. Die.
Zarles wrote:Ringtones. I hate them. My distastes for them might lie with the people that insist upon having some 4-second snippet of a song that blares at top fucking volume every time their phone rings, but still - I hate them. HATE. Remember when phones just rang?
Fuckin' teenagers. Die.
papalazeru wrote:Zarles wrote:Ringtones. I hate them. My distastes for them might lie with the people that insist upon having some 4-second snippet of a song that blares at top fucking volume every time their phone rings, but still - I hate them. HATE. Remember when phones just rang?
Fuckin' teenagers. Die.
What if it's a tune from Labyrinth?
Zarles wrote:papalazeru wrote:Z arles wrote:Ringtones. I hate them. My distastes for them might lie with the people that insist upon having some 4-second snippet of a song that blares at top fucking volume every time their phone rings, but still - I hate them. HATE. Remember when phones just rang?
Fuckin' teenagers. Die.
What if it's a tune from Labyrinth?
You still deserve to have your phone smashed over head when it goes off in the middle of a movie, but slightly less so.
DennisMM wrote:Those BLARING tones are horrible at least in part because they do BLARE. I never turn my ringtone volume up more than halfway unless I need to hear it in my sleep or over loud noise of some sort - a lawnmower, for example.
DennisMM wrote:If the song weren't so unexpectedly loud and if I didn't hear a random five second bit I wouldn't mind it half as much. But I still wouldn't like it.
I have one musical ringtone. Mike Oldfield's "Tubular Bells" plays only when Julia calls me from her mobile.
DennisMM wrote:Note again: It ONLY plays if Julia is calling my mobile from her mobile. If she's calling from her mobile to my mobile, something's seriously wrong and I know I must take the call. It's an alarm, but a quiet one.
tapehead wrote:London's Calling by the Clash has the great track 'Train in Vain' that's nowhere on the liner notes (least not on the shitty old vinyl I've got)
tapehead wrote:there's also the pre-gap songs, or track '0's, that you have to manually cue to play on a cd player, and can be totally lost on cd rom or dvd drives - I remember Ash had two on 1977 Jack Names the Planets and Don't Know, there's one on Blur's Think Tank and Bloc Party's first album, and there's on on QOTSA' Songs for the Deaf called 'The Real Song For The Deaf' - guess what that one is? (it's not silence, but I'm sure the vibrations it produces from a stereo system at high volume might be fun for the hearing impaired)
London's Calling by the Clash has the great track 'Train in Vain' that's nowhere on the liner notes (least not on the shitty old vinyl I've got)
Heaps of metal albums have these things, and we haven't even mentioned 'double groove' vinyl yet, like Mr.Bungle's 'Disco Volante'.
Obviously though, I don't find this kind of stuff a bother at all...
LaDracul wrote:Mine is, "Why oh why do some artists release songs with someone else's music but different lyrics"?
LaDracul wrote:Mine is, "Why oh why do some artists release songs with someone else's music but different lyrics"?
For example, Jessica Simpson ripping off John Cougar Mellencamp's "Jack and Diane" for "I Think I'm In Love"
Rhianna stealing New Order's "Blue Monday" for "Drive"...I think she also stole "Tainted Love" for "Beep"...
There's a few exceptions, but why can't you just do a damn cover song?!
tapehead wrote:there's also the pre-gap songs, or track '0's, that you have to manually cue to play on a cd player, and can be totally lost on cd rom or dvd drives - I remember Ash had two on 1977 Jack Names the Planets and Don't Know, there's one on Blur's Think Tank and Bloc Party's first album, and there's on on QOTSA' Songs for the Deaf called 'The Real Song For The Deaf' - guess what that one is? (it's not silence, but I'm sure the vibrations it produces from a stereo system at high volume might be fun for the hearing impaired)
London's Calling by the Clash has the great track 'Train in Vain' that's nowhere on the liner notes (least not on the shitty old vinyl I've got)
Heaps of metal albums have these things, and we haven't even mentioned 'double groove' vinyl yet, like Mr.Bungle's 'Disco Volante'.
Obviously though, I don't find this kind of stuff a bother at all...
Nachokoolaid wrote:LaDracul wrote:Mine is, "Why oh why do some artists release songs with someone else's music but different lyrics"?
For example, Jessica Simpson ripping off John Cougar Mellencamp's "Jack and Diane" for "I Think I'm In Love"
Rhianna stealing New Order's "Blue Monday" for "Drive"...I think she also stole "Tainted Love" for "Beep"...
There's a few exceptions, but why can't you just do a damn cover song?!
Ice Ice Baby = Under Pressure
Can't Touch This = Superfreak
Best examples of that, I think.
Tyrone_Shoelaces wrote:The best one was Songs In The Key of X. Hidden before track 1 was a song by Nick Cave and The Dirty Three and The Dirty Three doing their version of the X-Files theme.
Fawst wrote:I don't have a problem with a short opening intro track, what I DON'T like is when there is an instrumental "sister" song that is separated by a track number. For instance, on dredg's first album, there is a track, I believe it's three, that is one of the most badass guitar riffs ever, with a fucking SICK bass line. Of course, because it's a separate track, it glitches when you hear the mp3 versions. The CD is a flawless blend of tracks, but they have yet to solve that one little problem with mp3 players.
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