MacCready wrote:bluebottle wrote:ok, i'll bite. i loved the novel (i read the updated version in high school, then re-read it a few times since then) but i've always hated the ending... the literal "hand of god" shit.
i wish they coul fix the ending so it wasn't so lame... but that would piss more people off than if they updated some of the references...
otherwise, it's a brilliant idea... could be really dark... i'd love to see the tunnel sequence done properly.
I would be one of the faithful who would love to see that lame assed,
way-to-end-one-hell-of-a-novel-on-a-giant-thud ending shit canned.
Hated it.
For me, everything preceding the great migration to Mother Abigail's crib was gold. Afterwards? Not so much.





AtomicHyperbole wrote:OK, this is the SK thread so hopefully this is ok here. I just finished the Salems Lot TV movie and was kinda suprised by how close it was to the book, and how it stumbled. Anyone else checked it out? I've not seen the original movie but my flatmate's dead set against it.
Certainly the ending of the TV movie is a ton different... I think there was a lot they could've handled better and Rob Lowe ws a bit miscast as Ben Mears. I was totally unconvinced by his hair.
Evidently the budget went on the actors... which is kinda a shame as the vamps, although generally pretty spot on, had some awful effects work. Donald Sutherland and Rutger Hauer made up for it though, they were pretty spot-on despite the initial familiarity.
Book itself is rather more taught, shame the movie didn't feel like it...

Fievel wrote:I thought the ending was horrible though as it killed off Father Callahan! He ends up in the Dark Tower books, so you can't kill HIM off!!!!
Fievel wrote:The original movie has a special place in my movie heart as it's one of the first films to really scare me. Does it hold up? Not really, but it's still fun to watch.
Fievel wrote: I thought the ending was horrible though as it killed off Father Callahan!
Chairman Kaga wrote:Fievel wrote: I thought the ending was horrible though as it killed off Father Callahan!
I don't remember that. I only remember when he couldn't get back in the church and leaves disgraced.
As for Fawst comments in the event of the DT ever making it to film or TV I doubt anything presented in any previous King adaptation will effect it. (though it would be cool as another meta element to the stories by breaking the 4th wall etc.)
Fievel wrote:I just finished listening to Duma Key. Not bad. It's definitely not my favorite King story, but it's not the worst thing he's written either.
Regarding King's inability to write a decent ending, I'll say he actually managed to pull one off in Duma Key. It's not a "HOLY SHIT!!!!" ending. Actually, it's really what I expected to happen once the book got to that point. But it's done well and I have no regrets on checking it out.



Crimson King wrote: I still haven't even read It or The Stand or even The Shining. When I was in the midst of my Stephen King frenzy, I focused on everything Tower related.

Fievel wrote:I've got his new collection of short stories waiting to be listened to, although I probably won't get to it until sometime next year.



Ribbons wrote:I've noticed a lot of love for The Stand here and elsewhere. I'm reading it now (about 900 pages in out of 1200) and I have to say I'm really not into it at all.
I was with it in the beginning; the proliferation of the virus, the birth of the Trashcan Man, the chapter devoted exclusively to people who died for various reasons, Larry Underwood's trip through the tunnel... but for the last, like, 400 pages or so it's just seemed tedious as fuck. Larry questioning his goodness while simulatenously being a saint, people observing how "creepy" Harold Lauder's smile is, a humble suggestion at one of those meetings that's followed by peals of applause. Lather, rinse, repeat. I don't think I can stand to see Stu and Frannie tell each other how much they love each other again, but at the rate this book has been going it's probably gonna happen another 200 times. I picked it up because the writers of "Lost" said it was one of their biggest inspirations, but if anything it's making me second-guess my opinion of the show. Is it just because I'm reading the un-cut version, or what? I appreciate epic ensemble storytelling, but for the better part of this book, I just don't see the appeal.




Chairman Kaga wrote:Are you talking about the movie or the book there Baxter because the book's description of that particular thing is infinitely more interesting than the mini-series. Of course the mind dueling aspect would have been pretty difficult to pull off visually. Spiders or spider-ish creatures as threats are a running theme through his Dark Tower and associated works.




Ribbons wrote:It's interesting because in my copy of The Stand, King writes a foreword about how he hopes Bruce Springsteen will play Stu Redman in the inevitable film adaptation of his work... the foreword was written in 84, I think, although I'm not sure, so at the very least he had some aspiration/premonition that it would be adapted. It might also help explain the otherwise-nonsensical Bruce Springsteen quotes that litter the beginning of the book.



Fievel wrote:King gives his opinions on authors including authors of HP, Twilight, etc.
In this article, King is asked his opinion.
He gives it.
Simple enough.
But the best is the absolute scorn he receives from the comments below the article.
Good stuff.



Chairman Kaga wrote:Fievel wrote:King gives his opinions on authors including authors of HP, Twilight, etc.
In this article, King is asked his opinion.
He gives it.
Simple enough.
But the best is the absolute scorn he receives from the comments below the article.
Good stuff.
He's right on about Koontz. I always wondered King's opinion of him since he (Koontz) seemed pushed by publishers as a King clone.
Stephen King wrote:You’ve got Dean Koontz, who can write like hell. And then sometimes he’s just awful. It varies.



On an entirely normal, beautiful fall day in Chester’s Mills, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when—or if—it will go away.
Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens—town newspaper owner Julia Shumway, a physician’s assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing—even murder—to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn’t just short. It’s running out.




travis-dane wrote:It was one of the first Bachman books I've read back in the day. I really enjoyed it and I have to read it again soon.
That could be a good Darabont adaption, I hope he goes with it.
magicmonkey wrote:Welcome geekgrrl, nice first post. I'm sure some of our Stephen King fans will get back to you on this. It's certainly one I'm yet to read.

instant_karma wrote:I think I actually prefer Bachman to King. The Long Walk is one of my favourite books. I think I've read it about four or five times, while I've read The Running Man three times.
I was kind of bitter when I read that Darabont was working on adapting it, because I had always fantasized that one day I'd make it to Holywood and direct this myself...

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