Brocktune wrote:the only one ive seen is Deep Sea 3D. i definitely reccomend it. although depp and winslet's narration skills are weak at best. it was so bad, it was almost a distraction a time or two. but i swear, that movie has the most beautiful and strange shit you will ever see in it! and elfmans score is some of the best work he has done in a long time.
Fried Gold wrote:So...it's an Imax film and projected using Imax projectors...but not on the giant screen that EVERYONE associates with Imax films?
PETE HAMMOND wrote:But, knowing his audience, he did talk about how the film will be presented. “We shot quite a lot of the film in IMAX, more than we had ever done in the past. There will be some really beautiful IMAX film prints that will be in certain key locations. And we are really maximizing the various technical capabilities out there, particularly in the sound mix. We have very ambitious plans in how we are going to take a very big approach as to how we maximize the potential of the existing sound system in theatres…using existing equipment, you don’t have to buy anything new. Really what we are attempting to do is give audiences a better experience, an immersive experience. We are looking to theatre owners to really transport us and give us the best they can in how we get that out to the public. As they say, the projectionist has the final cut. I really think on this film the technical aspect of how this film is presented is really going to be more important than on any film I’ve done before, so that means getting into partnership with the studios and theatres,” he said.
Unlike Martin Scorsese and James Cameron who have done this spot at previous CinemaCons, Nolan consistently extolled his love for and belief in using film rather than all the emerging digital formats. “I am not committed to film out of nostalgia. I am in favor of any kind of technical innovation but it needs to exceed what has gone before and so far nothing has exceeded anything that’s come before (meaning film),” he said before extolling IMAX as a format that can’t be touched in terms of resolution.
Alexandra Cheney wrote:A huge proponent of IMAX, Nolan says he shot more of “Interstellar” on IMAX cameras than ever before but that he used spatial interiors and “real environments,” in effect shooting the film and the actor’s responses to action “like a documentary.”
Users browsing this forum: No registered users and 0 guests